“People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.” Claude Monet
I used to walk.
I put my son in a backpack and walked. When I was lonely or bored or sad, I walked. An the walking took me outside of myself.
We lived on John D’or prairie Indian Reserve and I had the strange experience of not knowing one single person other than my husband and my infant son. My husband was a teacher on the reserve and the teachers were a tight knit group. But I wasn’t one of them. The natives were a tight knit group but I wasn’t one of them either. So I was lonely and I walked. I saw all kinds of homes, some only shacks, some larger all in various stages of repair, some abandoned. I saw few people. But I always had a feeling of being watched.
I saw these two houses standing together in a sea of long grass that turned and waved in the wind. My son sat in his pack looking at everything in silence. He was the quietest, most studious child. I watched his eyes looking around in awe and I thought how special it is to see something for the first time. And then I realized, it was my first time seeing them too.
It was only after many years that I realized the painting was really a portrait of my husband and I. The pink house in the foreground is my husband, more open, more interesting. and more vibrant. And the yellow house was me, standing in his shadow, drabber, more closed off, plainer.
But much like houses, people’s interiors can’t be seen from the outside. My husband’s effervescent exterior masked his sadness, and my reserved nature covered over a rich imagination and strength that he didn’t have. It took me many years to understand this fact And now that he’s gone, I think back to those times and I wish I could live them again so I could be the kind of wife he needed and we would have been happier.
Find this drawing and the subsequent painting at dalegreenearts.bigcartel.com available for download.